rosenau and sanborn vinyl reckless records

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We have specialist buyers and will purchase small or large quantities for cash or exchange. Our main areas are Rock & Pop, Soul & Dance, Jazz, Punk and Reggae. We’re interested in purchasing most kinds of music.

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We also have many deleted and hard-to-find specialist and unusual CDs, plus some hard-to-find new vinyl. We deal in second-hand vinyl – LPs, 12″ and 7″ singles – and also carry a large array of used compact discs across a wide range of styles and genres: Rock, Pop, Indie, Metal, Reggae, Jazz, Electronic, House, Soul, Funk and many more. We always have the album sleeve in the window and tour guides often stop outside our shop and explain where and when the iconic photograph was taken. Our shop features on the Oasis album cover What’s The Story Morning Glory. There is also a Reckless Records in Chicago that was established in 1989 and is still going strong. Reckless was the first record store in Berwick Street, opening there in 1984 and surviving the many ups and downs of the record business over the years. Soho is famous for its lively culture and many record stores. 9, at the Back Room at Colectivo.Reckless Records is an independent record shop burrowed in the heart of Soho at 30 Berwick Street, just off Oxford Street and close to both Oxford Circus and Piccadilly Circus tube stations. Rosenau & Sanborn is streaming now you can hear it below, via Bandcamp. Why focus on sticking the landing when you can live in the moment? But perfection is beyond the point on an album as peaceful, immersive and inviting as 'Bluebird,' anyway. We never get to hear the version of the track with the hypothetical better ending, if indeed it even exists.

The other responds that it's good, but the ending could be better. One asks the other what they think of the take. That track ends with a quick exchange between the musicians. It's the difference between pounding a cold iced tea right in front of the refrigerator or nursing it on a patio chair. Collections of Colonies of Bees' Chris Rosenau and Sylvan Esso's Nick Sanborn have been collaborating together for years (Sanborn was even a member of Collections of Colonies of Bees for a time), and their improvised sets at the Eaux Claires festival have provided some of that festival's most unforgettable moments. There's a knockout four-minute song hidden in the album highlight 'Saturday,' but we're much richer for the long, leisurely stretch of an eight-minute version that 'Bluebird' gives us instead. Just as Rosenau and Sanborn were happy to bask in each other's company for a weekend, the album's songs breathe and luxuriate, in no particular hurry to reach their climaxes and payoffs - though, to be sure, most of them get there eventually. It rained, birds chirped, dogs barked, we joked around and we have the fun we had been talking about for years, and it was all captured as we experienced it.'Īs a result, 'Bluebird' plays like a field recording, albeit one that just happens to be slathered in electronics. 'We added more room mics, played/improvised/wrote all day for two days straight, and documented it all. 'We realized that recording with everything completely open to the outside world so strongly evoked the sonics and feeling in the main living room recording space that we decided to embrace it,' Rosenau writes.

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And since it was so beautiful out, they left the windows open in the small house in the woods they were using as a studio. As Rosenau writes in the album notes, they recorded it during a lovely fall weekend in North Carolina. But in execution the two ended up documenting a very different kind of retreat. On paper, the debut collaboration from the Collections of Colonies of Bees and Volcano Choir guitarist and the Sylvan Esso producer is an extension of the duo's spontaneous sets at the Eaux Claires festival. Rosenau & Sanborn at Eaux Claires | Courtesy of the artist